Photography Ethics: Freezing Insects for Macro, The Delicate Balance of Photography and Family Life, Nature Photography Books for Photographers this Christmas, Zoner Photo Studio X Review: A Full-featured Editor for a Great Price, Luminar AI Review: Hands-on Look at Intelligent Editing, The Best Equipment for Landscape Photography, How to Choose a Strobe for Underwater Photography, 13 Indoor Projects for Photographers This Winter, Black Friday Deals for Photographers in the USA (2020), Black Friday Deals for Photographers in the UK (2020), Sigma Unveils 105mm f/2.8 Macro ART Lens for Mirrorless, 10 Tips for Editing Landscape Photos for Beginners, How to Edit Star Photos: First Steps to Processing in Astrophotography, How to Process Woodland Photos with the Orton Effect, How to Stack Star Photos to Reduce Noise in Photoshop. On the 50S, the review and delete buttons were awkwardly placed but most controls are easy to reach on the new Fuji. One potential downside is that the control layout is somewhat different to the 50S, so if like me, you occasionally switch between the two cameras, there is the potential for getting confused. The GFX systems offers versatility to a wide audience from commercial to landscape photography. Despite the slight oddity of having two very similar cameras in a niche market, it looks as if Fujifilm should have another hit with this new offering. Equipment, Fujifilm, REVIEWS, Video Andy Mumford January 30, 2019 GFX, GFX 50R, medium format, fuji, fujifilm, review, camera review, landscape photography, dolomites, gfx landscapes Comment Facebook 0 Twitter LinkedIn 0 Reddit Tumblr Pinterest 0 0 Likes I have to say that despite shooting with the GFX 50S and 50R (read my review here), as well as being something of a fan of Fuji cameras generally, I really didn’t bond with the GFX 100 initially. Calling up and dismissing information on both the live view screen and EVF is simple and quick, making it easy to compose a shot with a screen free from clutter and distractions and then call up shooting information when setting exposure, focus and so on. I acquired the Fujifilm GFX 50R and intended for it to be a back-up to my 50S. With that said, the image quality from the GFX 50S has proven to be very impressive in our laboratory and real-world testing, and as expected, the 50R's IQ is m… Dimensions: 160.7 mm x 96.5 mm x 66.4 mm (6.33 x 3.80 x 2.62 in) Weight: 775 g (27.3 oz) LATEST PRICE FULL REVIEW. The images, when viewed through the LCD screen and then on my iMac, are probably the best I have seen in terms of image quality . The Fujifilm GFX 50R is the last medium format by Fuji to utilize the same 51 MP CMOS sensor that we have previously seen on a number of cameras, including the Fuji GFX 50S, Hasselblad X1D 50C / X1D II 50C and Pentax 645Z. Home » Equipment » Fujifilm GFX 50R Review: The Landscape Photography Review. GFX 50R + GF110mmF2 R LM WR @ 110mm, ISO 200, 1/1600, f/2.0. Fuji GFX100 Fuji GFX 50R Nikon D850 Nikon Z7 Canon 5Ds/R. Detail is superb, especially when it comes to surface texture and images have outstanding clarity and sharpness. The idea of a 51.4 megapixel medium-format (ish) was hugely appealing to a landscape photographer but the combination of the price (£6199 at launch) and the small range of lenses was enough to prevent the dream becoming reality anytime soon. Multi, spot, centre-weighted and average metering, 3.2” tilting touch screen with 2,360,000 dots, EVF with 0.77x magnification and resolution of 3,690,000. Fujifilm GFX 50R for Landscape Photography. 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Larger sensors give photographer more control on the depth of field and blurry background compared to smaller sensor when shot in same focal length and aperture. Fujifilm's GFX 50R takes the image quality from the existing 50S model and wraps it in a new body with new controls and a lower price of entry. … How to Selectively Reduce Noise in Luminar 2018 & Luminar 3, How to Upload Photos to Facebook at the Best Quality Possible. In landscape photography, the dynamics capture of a camera is especially important. Dynamic range is also impressive and the GFX 50R renders extremely clean shadow detail. The Fujifilm GFX 50R in ‘Real Life Use’ The Fujifilm GFX 50R is quick to set up and highly customisable. Overall, given the limitations of contrast-detect autofocus, Fuji has done a great job with the focus system on the GFX 50R and pushed it to its limits. The FUJIFILM GFX 50R supports Full HD video recording (1920×1080, 29.97p / 25p / 24p / 23.98p, 36Mbps) and HD video recording (1280×720, 29.97p / 25p / 24p / 23.98p, 18Mbps). Although slightly smaller than the one on the 50S, the EVF is slightly more comfortable to use, with less of the ‘shimmer’ which has bothered some users. The GFX 50R is a rangefinder style, which has been reborn through the history of medium format cameras. I'd get my GFX-50R body at Adorama, at Amazon, or at B&H (or used at eBay) or get it as part of a kit or with a lens at Adorama, at Amazon or a… My favorite landscape that I made with the Fujifilm GFX 50R. Metering is accurate and both the LCD and EVF are bright and clear. If… Get our best tutorials sent straight to you, and enjoy a copy of "10 Ways to INSTANTLY Improve Your Nature Photos". Menus are generally well-organised and changing settings is quick and easy. This means that some tripod plates interfere with it, making battery changes fiddly, and it precludes the use of a universal ‘L’ bracket. In short, this is the best image quality you will see without spending tens of thousands on a Phase One camera and back. The control systems, menus, and features are largely similar to the other cameras in the Fuji lineup, and where it shines for me, is in the landscape. I'm not interested in comparing cameras across different brands and looking for any differences or saying which I think is better as that's not what photography is about for me, I'm interested in cameras as creative tools and what they feel like to use when I'm in the field.Thanks to Andrea Livieri for help with the second cam and audio in this video https://www.youtube.com/user/AndreaLivieriPhotoIf you’d like to join me for a landscape photography workshop in some of the locations I captured here, I’ll be co-leading a Dolomites in Winter workshop in 2020, as well as tours to various other destinations. Great results can be obtained with some simple techniques and a bit of practice. Despite its light weight, the camera feels solid; it is fully dust and weather sealed and rated to operate down to -10ºC. This is easily resolved by re-assigning the dial to another function and assigning ISO to one of the custom buttons on the top or back of the camera. To simplify things further, there is a favourites menu and a customisable ‘Quick’ menu for easy access to commonly changed settings. What’s the Best Camera for Wildlife Photography in 2020? The screen tilts, which is handy when shooting low or high viewpoints  – though not in portrait mode, as it only tilts in two directions, unlike the older GFX. The images above are mostly done using the Velvia Simulation, but … Flash photography need not be as complex and technical as many make it. Is that enough to tempt you to pick one up for yourself? For sure the Fujifilm GFX 50R can be considered 'great' for certain forms of landscape photography. This is largely due to Fuji’s determination to make this the first medium format camera with IBIS (in-body i… Menus are generally well-organised and changing settings is quick and easy. This weight advantage lessens slightly when adding lenses, as medium format lenses are by necessity bulkier than their 35mm counterparts, but the overall feeling is one of a very portable system. One feature which landscape photographers will appreciate is the ability to dial in manual exposures of up to an hour without the need to switch to Bulb mode and use a stopwatch. The Fuji GFX is Fuji’s entry into what is commonly known as the medium format market. The icing on the cake however, is the Fuji’s beautiful colour and tonality, which gives the files a distinctive look, reminiscent of the company’s film emulsions. The GX680 is a series of medium format SLR studio system cameras that uses 120/220 roll film in a 6×8 format and introduced by Fuji in 1989. At 775g, it’s 50g lighter than its older sibling and 230g lighter than a Nikon D850, which is quite a noticeable difference. Achieving High Image Quality with G Mount. It’s nicely finished, with a textured grip and the dials have positive detents. Check my website for more information https://www.andymumford.com/workshops/If you're interested in purchasing any of the gear I use in this video, and you enjoy my videos, please support my work by clicking on the affiliate links below. Semantics aside it is a camera with a sensor that is larger than the 35mm full frame sensors of many of today’s DSLRs. In the first quarter of 2017, Fujifilm caused a stir when they introduced the GFX 50S – the cheapest medium format camera at the time and only the second mirrorless medium format body (the first being the Hasselblad X1D). However, given the fuss that some users and reviewers made about what is actually quite an elegant piece of design, you can hardly blame Fujifilm for not repeating it. The 50R is certainly a much better-looking camera, though, and one which really encourages you to pick it up and have a play with it. In this Fujifilm GFX 50R review, we’ll see if it’s likely to succeed. He is the author of 4 books, his most recent being ‘The Art of Landscape Photography’ (co-authored with Ross Hoddinott), and has won a number of awards in various competitions, including the Take a View Landscape Photographer of the Year, International Garden Photographer of the Year, Outdoor Photographer of the Year and International Landscape Photographer of the Year. It was of immediate interest to landscape photographers, many of whom had previously been attracted by the image quality of medium format but put off by the cost and weight of existing systems. You can read all the specs on the Fuji site or by clicking the links in this article. One bug I identified while carrying out this Fujifilm GFX 50R review is that exposure compensation can’t be used when the RGB histogram is activated in live view; this has been reported to Fujifilm and hopefully will be fixed in a firmware update. I’ll cover them in more detail in the full review. The Fujifilm GFX 50R is a medium format camera with 51.4 million pixels, backed up by an amazing lineup of Fujifilm GF lenses… so there is obviously no doubt about the image quality. Dynamic range of the Fujifilm GFX 50s. This doesn’t make the new camera less customisable though, as the D-pad functions have been assigned to the touch screen, via swipe gestures. The GFX 50S has been a big hit for Fujifilm, so the new camera comes as a bit of a surprise, being basically a repackaged 50S – it features the same sensor and processing engine and almost identical specifications, albeit housed in a sleeker, rangefinder-style body. To be fair to the 50S, its ergonomics are excellent and if you prioritise function over form, there’s little to complain about. Including illustrated articles on Fujifilm X system cameras and lenses. The GFX 50R is equipped with a 0.77x3. The front control dial has now been incorporated into the shutter button. And like any mirrorless system, there is the possibility to use third party lenses via adaptors. Luminar 4 Review: The Future of Photo Editing? However, the essentials are now there and they are all of excellent quality – among the best lenses I’ve ever shot with. I decided to shoot with it exclusively for a few weeks to familiarise myself with it and test its capabilities. On balance, I’d still like the D-pad to be there, but it’s a very minor niggle. Another minor niggle is the placement of the battery compartment, which is on the left hand side of the body, with the door on the bottom. On the negative side, some of the customisable buttons on the rear of the camera have a rather ‘spongy’ feel to them, which is a disappointing contrast to the crisp feel of the buttons on other Fujifilm cameras. In shooting landscapes, you are almost always confronted with bright areas (sky) and dark areas (shadows in the foreground). The 50R is a slimmer and more elegant camera than the 50S, which has attracted some flak for not being the prettiest camera out there, especially when put side-by-side with its nearest rival, the Hasselblad X1D. What I will be not be focusing too much on is the technical aspects of the Fujifilm GFX 50R. To simplify things further, there is a favourites menu and a customisable ‘Quick’ menu for easy access to commonly changed settings. It has a more minimalist design than the 50S, with fewer external controls. What’s the Best Camera for Landscape Photography? This is so much nicer to use than having to press or hold a button and turn a control dial and is a feature I’ve missed on the 50S. As a consequence of the shutter button/front control design, the on/off switch has been moved to the side of the shutter; not as convenient as having one which sits around the shutter but it’s certainly not a problem and no more awkward than with some other cameras, such as the Canon 5D series. 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