Diego Rodríguez de Silva y Velázquez (June 6, 1599 – August 6, 1660) was a Spanish painter who was the leading artist in the court of King Philip IV. Diego Velázquez (1599-1660) began his apprenticeship with Francisco Pacheco in 1611 and from this time onwards, his successful career as an artist was set in motion. The Drunks is dotted with small but befuddlingly three-dimensional still lifes—a glistening terracotta jug, an overflowing white wine bowl, a cup that seems to glow in a grey-haired peasant’s hand—that pay tribute to the the Sevillian painter’s bodegón roots. This is the last painted image of the King by the man who served as his court artist from 1623. By Dan in Research > Historical Artists. Diego Rodríguez de Silva y Velázquez (baptized June 6, 1599 – August 6, 1660) was a Spanish painter, the leading artist in the court of King Philip IV and of the Spanish Golden Age.He was an individualistic artist of the contemporary Baroque period. Velázquez portrays himself, painting this very painting, on the left of the image, facing a canvas and holding a paintbrush. He was an individualistic artist of the contemporary Baroque period, important as a portrait artist. At first glance, Diego Velázquez's 1656 painting Las Meninas might seem like just another ensemble portrait. The once-powerful nation harbored huge debts and the government was completely corrupt. Although noted for both his history painting and genre-painting ( bodegons ), he is best-known for his portraiture - completing over 20 portraits of the King … Diego Velázquez was a prolific artist who went on to become court painter for King Philip IV. Artist Work as court painter. One of the best-known examples of Spanish Baroque painting.. Summary. Equestrian Portrait of the Count-Duke of Olivares, Diego Velazquez, 1634-1635 . Diego Velázquez 1599-1660. The Surrender of Breda (detail) (1634-5). Diego Velázquez (1599–1660) was one of the most important Spanish painters and beloved court artist under the reign of King Philip IV. And the contrast between Velázquez’s meaty modeling of cloth and his wispy, moody background inspires even more awe. He depicts himself at work. ‘Saint Thomas’ was created in 1620 by Diego Velazquez in Baroque style. Within two years, Velazquez was paid to move his family to Madrid, which became his home for the rest of his life. Philip was so delighted with the result that he immediately appointed Velázquez as one of his court painters, and from then on would allow no one else to paint him Prado Museum, Madrid. Many of Velazquez's models would not survive long unfortuantely, meaning that visual records of them by court painters were especially important. Velázquez painted many portraits of Philip IV, King of Spain, throughout his reign. In December 1622, the favorite court painter of young King Philip IV died and the King's minister, Count-Duke of Olivares, summoned Velazquez for the vacant position. Diego Velázquez, “Las Meninas,” 1656-7. Velázquez - Not an Ordinary Court Painter Already an accomplished painter who was a part of the Painter's Guild of St. Luke, Diego Rodríguez de Silva y Velázquez was summoned by the Spanish King's minister, Count-Duke of Olivares in 1622 to replace the favorite court painter of young King Philip IV who had died. The influence of Diego Velázquez on the history of art cannot be overstated, but studies to date have not taken note of his impact on Spanish politics during the mid-seventeenth century. On 6 October 1623, he was appointed a Painter Royal, and embarked on his long career at court with his major patron, Philip IV. From Pacheco, Velázquez learned the technical skills of drawing and painting, still-life and portraiture and soon surpassed his master. Diego Velazquez, one of the significant painters belonging to the Spanish Golden Age, was an artist in King Philip IV’s court. Diego Velázquez was born on 1599 in Seville, Spain where he carried out his painting career until he eventually moved to Madrid at age 24. Portrait of Count-Duke Olivares by Diego de Silva Velázquez Working at the court of Philip IV, Velasquez repeatedly wrote portraits of the king and his family members. Velázquez was soon employed as the court painter to Philip IV of Spain in 1628 (age 29). He began to paint in a precise tenebrist style, later developing a freer manner characterized by bold brushwork. In 1623, thanks to his father-in-law's connections, Velázquez was asked to paint a portrait of the young King Philip IV. “The Artist as Curator: Diego Velázquez, 1623-1660” reconsiders the career of Diego Velázquez at the court of Hapsburg king Philip IV as a major episode in the history of curatorial practice. Thanks to the artist's suggestive yet realistic art, especially royal portraits, we have a detailed and valuable chronicle of royal court life in seventeenth century Spain. In 1623, Velázquez headed off to Madrid a second time, meeting with success. Velázquez painted a self portrait within this masterpiece to add a layer of meaning. In order to ensure the survival of the heir, many would have very large families to account for the high rate of infant mortality. Diego Rodríguez de Silva y Velázquez (Spanish: [ˈdjeɣo roˈðɾiɣeθ ðe ˈsilβa i βeˈlaθkeθ]; baptized on June 6, 1599 – August 6, 1660) was a Spanish painter, the leading artist in the court of King Philip IV, and one of the most important painters of the Spanish Golden Age. By this it means to examine the ways Velázquez’s activities as a painter and his activities as curator of the Hapsburg art collection transformed each other. Las Meninas represents the court of all who wait upon Margarita Theresa. 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